23
5.0
HD
里卡多一家
5.0
上映时间:2025年01月06日
主演:妮可·基德曼,哈维尔·巴登,J·K·西蒙斯,杰克·莱西,妮娜·阿里安达,阿莉雅·肖卡特,琳达·拉文,克拉克·格雷格,托尼·海尔,罗伯特·派恩,罗尼·考克斯,内尔森·富兰克林,克里斯托弗·邓汉,约翰·鲁宾斯坦,布里安娜·温,达娜·林恩·拜伦,丹·萨霍夫,洛雷尔·伯德·多夫曼,RickBatalla,克里斯蒂安·罗伯茨,GusLynch,JonahPlatt
简介:影片聚焦鲍尔和阿纳兹,现实中是夫妻的两人在经典情景喜剧《我爱露西》也出演一对,片名中的“里卡多”是两人在剧中角色的姓,故事设定在《我爱露西》拍摄中的一个工作周,从周一的剧本围读到周五的有观众拍摄,在此期间两人遭遇了巨大危机,事业可能终结,婚姻也可能泡汤。   历史上,是鲍尔向《我爱露西》剧方要求自己的丈夫阿纳兹也出演该剧,CBS一度不太愿意,担心观众不喜欢看一个很“美国”的女主角与一个古巴裔男子在一起。
23
HD
里卡多一家
主演:妮可·基德曼,哈维尔·巴登,J·K·西蒙斯,杰克·莱西,妮娜·阿里安达,阿莉雅·肖卡特,琳达·拉文,克拉克·格雷格,托尼·海尔,罗伯特·派恩,罗尼·考克斯,内尔森·富兰克林,克里斯托弗·邓汉,约翰·鲁宾斯坦,布里安娜·温,达娜·林恩·拜伦,丹·萨霍夫,洛雷尔·伯德·多夫曼,RickBatalla,克里斯蒂安·罗伯茨,GusLynch,JonahPlatt
18
6.0
HD
偶得回响
6.0
上映时间:2025年01月06日
主演:萝拉·坎贝尔,哈里斯·迪金森,阿什克·阿赫塔尔,安布林·拉齐亚,约书亚·弗雷特-路夫林,阿林·朗,阿约昆勒·奥耶桑沃,阿约巴米·奥耶萨沃,阿尤卢瓦·奥耶桑沃,芙蕾雅·贝尔,卡瑞斯·鲍克特,杰西卡·福斯特丘,艾莎·朗,埃泽尔·乌赞,艾琳·特策尔,马特·布鲁尔,劳拉·艾克曼,卡里·克兰森
简介:12岁的小女孩乔治亚失去了母亲独自过日子,从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作,她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象,而是个古灵精怪充满幻想的小“社牛”,一向以炫酷帅哥形象出现的哈里斯·迪金森(《悲情三角》)饰演父亲,两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。
18
HD
偶得回响
主演:萝拉·坎贝尔,哈里斯·迪金森,阿什克·阿赫塔尔,安布林·拉齐亚,约书亚·弗雷特-路夫林,阿林·朗,阿约昆勒·奥耶桑沃,阿约巴米·奥耶萨沃,阿尤卢瓦·奥耶桑沃,芙蕾雅·贝尔,卡瑞斯·鲍克特,杰西卡·福斯特丘,艾莎·朗,埃泽尔·乌赞,艾琳·特策尔,马特·布鲁尔,劳拉·艾克曼,卡里·克兰森
11
3.0
HD
辣手摧花1943
3.0
上映时间:2025年01月06日
主演:特雷莎·怀特,约瑟夫·科顿,麦克唐纳·凯瑞,亨利·崔佛斯,帕特里夏·科林奇,休姆·克罗宁,华莱士·福特,艾德娜梅沃娜考特,查尔斯·贝茨,欧文·培根,克拉伦斯·缪斯,弗吉尼亚·布里萨克,爱德华·菲尔丁,阿尔弗雷德·希区柯克,鲁思李,约翰·麦圭尔,雪莉·米尔斯,格兰丁·罗德,Janet Shaw,Estelle Jewell,Bill Bates,Frances Carson,Earle S. Dewey,萨拉·爱德华兹,Vaughan Glaser,Shep Houghton,Eily Malyon,Con
简介:

小镇沉闷的空气令受过高等教育的Charlie(Teresa Wright)十分压抑,她渴望在外谋大事、自己喜爱和崇敬的Uncle Charlie(Joseph Cotten)能突然出现,为自己的生活注入一缕新风。Charlie欲发电报邀请舅舅来做客时,竟先收到他发来的要来的报文,惊喜之外,她对舅舅的爱又加深一层。                                                                        Uncle Charlie的到来令Charlie及父母非常兴奋,但酷爱读书的妹妹无动于衷。不久Charlie如沐春风变作无忧无虑的少女。两个自称报社记者的陌生人有心将Charlie一家当作典型美国家庭采访,Uncle Charlie为此事大发雷霆相当失态,令Charlie和母亲大为不解。而同其中之一Herbie Hawkins(Hume Cronyn)交谈中,Charlie震惊地听闻有关舅舅的骇人秘密。

11
HD
辣手摧花1943
主演:特雷莎·怀特,约瑟夫·科顿,麦克唐纳·凯瑞,亨利·崔佛斯,帕特里夏·科林奇,休姆·克罗宁,华莱士·福特,艾德娜梅沃娜考特,查尔斯·贝茨,欧文·培根,克拉伦斯·缪斯,弗吉尼亚·布里萨克,爱德华·菲尔丁,阿尔弗雷德·希区柯克,鲁思李,约翰·麦圭尔,雪莉·米尔斯,格兰丁·罗德,Janet Shaw,Estelle Jewell,Bill Bates,Frances Carson,Earle S. Dewey,萨拉·爱德华兹,Vaughan Glaser,Shep Houghton,Eily Malyon,Con
7
8.0
HD
甜蜜的家
8.0
上映时间:2025年01月06日
主演:埃瑞克·理查德,蒂莫西·斯波,Kay,Stonham,弗兰西斯·巴贝,保罗·杰森,Su,Elliot
简介:Another of Mike Leigh's efforts in the Play for Today series. Home Sweet Home is the he tragic-comic tale of a lonely postman, the social workers who chivvy him about his estranged teenage daughter, and his secret affairs with the wives of his fellow postmen. "Though the social and economic situations of Leigh's characters are invariably specified, they are not determinative. In his view, institutions don't cause our problems and institutions cannot solve them. Nothing beyond the structure of our own thoughts and emotions can be blamed for our predicament and nothing outside of ourselves can remedy it. The poorest of Leigh's characters could win the lottery, or the richest be forced out onto the streets, without their basic dramatic problems changing. One only has to compare Ken Loach's Ladybird, Ladybird with Leigh's Home Sweet Home or his short, Probation, for the difference between the two viewpoints to be clear. Whereas Loach mounts an institutional critique, the social systems and bureaucracies in Leigh's work are only individuals writ large. Home Sweet Home dramatizes the relationship of two social workers, Dave and Melody, to a client, Stan, and his daughter Tina, but for Leigh the social workers are ultimately just messed-up people. One might say that while Loach looks at the effect, Leigh studies the cause. Loach studies bureaucracies; Leigh examines the individual qualities that make bureaucracies the way they are. The main characters in Ladybird, Ladybird are victims of a social agency's depersonalizing understandings. Leigh refuses to make Stan and Tina victims of anybody or anything. Home Sweet Home makes clear that, even if all of the social workers were to disappear from the universe, Stan and Tina's relationship would not improve one whit (and in fact would very likely get worse, since in the absence of a pushy, intrusive, boorish Melody, Tina would get no visits or trips home at all). There is an ultimate fairness in Leigh's view of life. We get what we are. Nothing is inflicted on us (just as nothing outside of ourselves can save us). We create our own problems and we ourselves must solve them. It would be hard to imagine a view of experience more at odds with the blame-games played by most cultural studies critics. Leigh's characters can never blame anything or anyone–least of all "the system." External forces (figured by ever fashionable ideological concepts like "power," "gender," and "class") have no ultimate authority over what we are. We are responsible for our own fates. The enemy, if there is an enemy, is inside. Odd as it may sound to say it, the writers on cultural studies and neo-Marxist filmmakers like Loach are actually more optimistic than Leigh, for while the social-work bureaucracy (Loach's target) may conceivably be reformed, the human heart and mind (Leigh's subjects) are all too deplorably (and exultantly) what they are for all eternity. I would argue that the institutional critique is in fact the simpler, more superficial, and more naive way of understanding these situations. The labyrinths of the human heart are far more tortuous and Byzantine than the corridors of power that constitute the welfare system. The bureaucracies of the imagination are far subtler and more insidious than those of any man-made institution. And if you say you don't see that or don't understand how that could possibly be, why that is precisely what a work like Home Sweet Home exists to show...." –Excerpted from Ray Carney, "The Films of Mike Leigh: Embracing the World "
7
HD
甜蜜的家
主演:埃瑞克·理查德,蒂莫西·斯波,Kay,Stonham,弗兰西斯·巴贝,保罗·杰森,Su,Elliot